A woman’s obsession with diet and affirmation culture leads to a horrific transformation.
Synopsis
Julienne, directed by first-time filmmaker Michelle de la Rosa, intimately follows a woman whose obsessive diet and exercise regimen gradually drives her towards a fate she never saw coming.
I was very aware of size from an early age. Growing up, I was taller than the other girls, which meant I was automatically called “big”. I wasn’t naturally thin like everyone else seemed to be. On top of that, I lived with a diet obsessed father, a mother that was constantly counting her Weight Watcher points, and an older brother who also went up and down the scale.
In my father’s eyes, your size determined your role in society: skinny and thin meant that success was in your future; overweight meant you were doomed.
In my late twenties, I tried to resolve this ideology by becoming a competitive bodybuilder. What began as a mission to lose weight turned into discovering an inner athlete I never knew existed. I became addicted to working out and the compliments that came with the results. This journey came with rigid training routines and extreme diets. It was the first time in my life that I pursued physical “perfection.”
I learned what warrior mentality was: fight through anything. Fight through the workout, fight through the hunger—no matter what. Bodybuilding is a sport focused on your body, not your performance; the constant mirror checks, weigh-ins, and self-scrutiny quickly became an obsession. After three competitions, I was burnt out and walked away from it all.
Julienne is my artistic response to these experiences. I didn’t want to simply recreate my own story, but instead translate it into something universal—something anyone could relate to. I wanted to expose what it means to be obsessed with dieting and the endless self-punishment we put ourselves through.
Director’s Statement
Starring Thea Kraus
Thea Kraus is a performer who uses her BFA in Acting to spread compassion. Her favorite past credits include Sterling Renaissance Festival (various roles; 2021-2025), and her independent act, Dume & Glume: Ethical Executioneers.
Being in Julienne was an honor to her; not only because of the message, but the dedicated team she was surrounded by throughout. She does struggle with body image (as many of us do), and Julienne shines a unique light on the consequences of letting those thoughts run wild. The team put endless hours into every thoughtful detail of the film, and she is forever inspired by their creativity.
Aleah Alvarado Makeup/SFX Hair
“Julienne’s astounding twist was unlike any project I’ve ever been part of. Society floods us with expectations about how our bodies and appearance should look, shaping what’s labeled beautiful or acceptable. And for that reason, the heart of this script hits a soft spot for me and I’m so grateful to Michelle for giving us such artistic freedom.”
Aleah Alvarado is a New York City based professional makeup artist known for experimenting with color and texture. Her craft is elevated through artistry, creativity, and beauty.
Director Bio
Michelle de la Rosa is a freelance theatre director based in New York City. As a director, she has participated in directing several short plays at various NYC theatre festivals. She has studied directing under the mentorship of John Grabowski at the Acting Studio in New York. She is a proud member of SDC, the Stage Directors and Choreographers Society and the New York Women in Film and Television. As a playwright her credits include Spell It (2021), a short play that was produced by the Nuyorican Poets Cafe.
Three years ago she embarked on a journey to make her first short film, Julienne. This is her first piece that truly expresses who she is an artist and director.